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      Apart, however, from abstract speculation, the ideal156 method seems to have exercised an immediate and powerful influence on Art, an influence which was anticipated by Socrates himself. In two conversations reported by Xenophon,102 he impresses on Parrhasius, the painter, and Cleito, the sculptor, the importance of so animating the faces and figures which they represented as to make them express human feelings, energies, and dispositions, particularly those of the most interesting and elevated type. And such, in fact, was the direction followed by imitative art after Pheidias, though not without degenerating into a sensationalism which Socrates would have severely condemned. Another and still more remarkable proof of the influence exercised on plastic representation by ideal philosophy was, perhaps, not foreseen by its founder. We allude to the substitution of abstract and generic for historical subjects by Greek sculpture in its later stages, and not by sculpture only, but by dramatic poetry as well. For early art, whether it addressed itself to the eye or to the imagination, and whether its subjects were taken from history or from fiction, had always been historical in this sense, that it exhibited the performance of particular actions by particular persons in a given place and at a given time; the mode of presentment most natural to those whose ideas are mainly determined by contiguous association. The schools which came after Socrates let fall the limitations of concrete reality, and found the unifying principle of their works in association by resemblance, making their figures the personification of a single attribute or group of attributes, and bringing together forms distinguished by the community of their characteristics or the convergence of their functions. Thus Aphrodit no longer figured as the lover of Ars or Anchiss, but as the personification of female beauty; while her statues were grouped together with images of the still more transparent abstractions, Love, Longing, and Desire. Similarly Apollo became a personification of musical enthusiasm, and Dionysus157 of Bacchic inspiration. So also dramatic art, once completely historical, even with Aristophanes, now chose for its subjects such constantly-recurring types as the ardent lover, the stern father, the artful slave, the boastful soldier, and the fawning parasite.103"Not? Oh! they are sure to do it. All the villages are burning already. The smoke suffocates us here. In Bressoux there is not a house left standing, and in other villages all civilians have been killed, men, women, and children. Not even the tiniest babies escaped.... Oh!... and now it is Lige's turn!"

      In the house she gave the younger Harpers a second kiss all round. "You po' dears, yo're hero-ines, now, and hencefo'th fo'evehmo'!" Harry and I agreed they were; it was one of the few points on which we thought alike. We even agreed that Estelle's grasp of earthly realities was not so feeble as we had thought it.CHAPTER X. MACHINERY FOR TRANSMITTING AND DISTRIBUTING POWER.

      "Because my desperate woman hides by the scene of her crime. I was a little dubious about you because that comes out in my plot. Perhaps you counted upon that, and the fact I should not look for you here, after all. It was a game of subtle cross-purposes. But I did look for you here, and I found you. It is a rather long story that I have had to tell, but it has been necessary. And if I repeated it in a court of law I am afraid it would cause you serious inconvenience."The old man was allowed to go home, escorted by the same soldiers. At the very moment that he was about to leave, I happened to notice on the platform a gigantic heap of loaves, brought in by train for the soldiers.

      But anybody was better than the sapping away of mind and body brooding alone. Balmayne listened to everything with a grave face.What might happen next? Sitting on a chair in a corner of the room I began to consider my position. For the moment it was not agreeable, but by and by those officers might find time to look at my papers. The only thing I bothered about was a map marked with the places where, according to the latest news, the German and French armies were. I kept it in an inside coat-pocket, and it might be found if they should search me.

      It would appear that even in the Pythagorean school there had been a reaction against a doctrine which its founder had been the first to popularise in Hellas. The Pythagoreans had always attributed great importance to the conceptions of harmony and numerical proportion; and they soon came to think of the soul as a ratio which the different elements of the animal body bore to one another; or as a musical concord resulting from the joint action of its various members, which might be compared to the strings of a lute. But

      He did not seem to mind much the destruction of the Halls with their world-famous wealth of books; anyway he spoke about it in an unconcerned tone. But he seemed to attach great importance to the safety of the town-hall. He said that when the buildings adjoining the town-hall began to burn, he had them blown up in order to keep the fire away from the beautiful monument.




      Every one who uses tools should understand how to temper them, whether they be for iron or wood. Experiments with tempered tools is the only means of determining the proper degree of hardness, and as smiths, except with their own tools, have to rely upon the explanations of others as to proper hardening, it follows that tempering is generally a source of complaint.The Clockwork man emitted a soft whistling sound from between his teeth, and rubbed his nose thoughtfully against the post.


      Nunc ratio nulla st restandi, nulla facultas,After this the officer examined my papers carefully one by one, and had to admit that they were in perfect order. Still, he had no authority to take a decision before I had been seen by the commanding officer.